Tuesday, April 9, 2024

Critical Reflection

For researching for creating my music video, I watched many music videos by indie artists, like the music video for Can I Call You Tonight? by Dayglow and beabadoobee's music video for Glue Song. From these, I noticed that instead of chasing a high quality of production, indie rock music videos embrace an almost unprofessional style. In Can I Call You Tonight?, the director mainly does this by creating a DIY film aesthetic with the use of an old camcorder as the camera instead of a modern DSLR camera which is present in pop music videos. This inspired me to embrace what others would call a "bad camera" with some shots of Flower being shot with a Nintendo 2DS. In Glue Song, I noticed that Jack Erland and Bea used oversaturated shots to create a sense of nostalgia, as old film cameras have an oversaturated sheen. I implemented this with the contrasting shots filmed on my phone compared to the often overexposed or underexposed shots on my 2DS. As it doesn't have any way to manually focus, this allowed the brightness of those films to vary, which will highlight the phone shots. A large majority of shots were filmed with handheld, which adds to the DIY aesthetic. I embraced this by filming most of my shots handheld. Both of these music videos aren't trying to project a message. Instead, they just focus on showcasing the artist in the best way possible, like the music video for Can I Call You Tonight? showing Dayglow being quirky and weird, which inspired me to include shots of Jack being quirky with playing a very tiny guitar, and Glue Song focuses on showcasing the artist beabadoobee, which I incorporated by having Jack be the only person in the Flower music video. With the digipak, I was inspired by several rock album digipaks, like Radiohead's Kid A and The Strokes The New Abnormal. Here, I noticed that the use of inserts were important, as they could showcase aspects of the artist. I embraced this by having my inserts showcase the quirky aspect of Jack, with a poster of a banana being bitten into. With the social media, I noticed how artists like Radiohead and Laufey play into memes, with Laufey making her own memes. Her creating her own promotion creates a tighter connection with her audience, which I embrace with having Jack record some videos for himself which I edited for the social media.

Phone camera compared to 2DS camera.

My target audience for viewers of the Flower music video by The Jack Project, and more generally Jack are people of all genders aged between 14 to 21. These viewers would be more active online compared to their peers. The audience would also be interested in other indie rock artists, and rock musicians in general. Other indie rock artists have a similar target audience, as this allows their fans to be almost obsessive towards the artist, which allows the artist to benefit by spending more on the artist's merchandise and willing to spend more for concert tickets. For engaging this audience, I focused on the social media aspect. Gen Z mainly uses social media platforms like TikTok, Snapchat, and Instagram. Since my audience is Gen Z, I decided to choose my platform to be Instagram, as choosing a platform like X/Twitter wouldn't have as much Gen Z-ers for me to reach. I considered using TikTok, but it relied too much on video content instead of pictoral content, which Instagram supports better. On Instagram, I would post between a mix of "traditional" marketing with teasers of release dates, and memes which include my song. Memes often engage Gen Z the most, so I decided to incorporate that into my social media. All of the social media posts have multiple hashtags in the description, which allow for other people to more easily find The Jack Project. "Traditional" marketing often engages older audiences and aren't as effective with the younger audience I have, so I decided to lean onto creating memes, where Jack's song Flower is the focus, such as a video that plays a clip from the "TikTok Rizz Party" with Flower playing in the background, captioned something along the lines of "omg guys my hit song Flower is playing at the Rizz Party! make sure to stream it on 4/10!". I made it seem like Jack himself was posting this himself, which shows that he is very up to date with current memes. By posting current popular memes, the popularity of this will allow some viewers of the "Rizz Party" to flow to The Jack Project's memes on the "Rizz Party". Branding was kept consistent, as the font for the traditional marketing is consistent with the fonts on the digipak and with the music video. Jack's brand was made to show him being funny and a little quirky, with the music video showing him playing what some could call the worlds smallest guitar, the digipak having a weird insert of a poster of a banana bitten into (including the skin), and the Instagram page showing Jack be funny with videos of him playing into current trends online like creating "the song of the summer" and "crazy how no one knows that i'm an X who Y". I also engaged my audience by having multiple versions of Flower and One (the other song Jack is currently making) on the digipak. Having different versions, like a sped up or demo allows for a greater amount of streams, as the target audience of Gen Z currently fuels the sped up/slowed down songs trend, so playing into this would give The Jack Project slightly more success. I would argue that the brand was well developed, but it could be better established with the social media showing a variety of memes, instead of relying on the "Rizz Party", which could become irrelevant right before Flower releases, which would be problematic because I have done the Instagram equivalent of putting all my eggs in one basket.

The "Rizz Party" being incorporated into my social media promotion.

My music video doesn't represent social groups in the normal way, but it does represent some issues, like teenage romance, and the large group of teens involved with romance. This is clear through the lyrics of Flower, where Jack uses the prick of a flower as a symbol for getting hurt in a relationship. I show off this with the music video often having scenes that look distorted. These ramp up in intensity during the bridge, which shows that Jack is being hurt emotionally. The music video doesn't play into current stereotypes of Jack's age group, Gen Z. Sure, it does showcase Jack playing "teen angsty" instruments like the drums and guitar, but he doesn't do them very loudly, like other music videos showcasing a teen musician would. This also develops Jack's brand that he is chill. Looking back, I think that playing more into Hispanic representation wouldn't really work well for this piece. Originally, I was a bit worried that I didn't incorporate representation. But if I did focus on Hispanic representation, it could take away a large amount away from the main subject being romance.

Project Components

And in the end, the love you take, is equal to the love you make...


Video:

https://drive.google.com/file/d/1sFQqha0J9B6cjIEh3Da6jaUiG-cy-PLq/view?usp=sharing

Print:

https://www.canva.com/design/DAGAuXDUkls/cQUo9jtUBUQXlr8JJC5_Mg/view?utm_content=DAGAuXDUkls&utm_campaign=designshare&utm_medium=link&utm_source=editor

Social Media:

https://www.instagram.com/thejackprojectofficial/

Saturday, April 6, 2024

Editing (Day 4! [The Finale {hopefully}])

 Today I worked on adding some little touches, like making the visual nuggets effect more interesting. I have the layer on top (the one with the inverted effects) extend by a few frames into the previous shot.

I think it came out a little trippy and cool!

I'm gonna work on finishing the edit, and then doing some more little touches later. I made a really cool "scene" during the bridge, where i put multiple layers of the inverted effects on top of each other to make Jack appear a lot more trippy. Check it out!

Here's the first draft! I'm gonna send this to Jack to see if there's something I missed/needs fixing. If not, then the video portion of this assignment is done!

https://drive.google.com/file/d/1rC2vrUEJVLjdKqDUA9OWvrz4KF0pfJkY/view?usp=sharing

Updated Digipak

 Hey guys,

I decided to update my digipak a little bit to fit some new marketing for Jack. Jack is releasing a song called "One" soon. So I decided to incorporate that song into the Flower + Friends EP. Check out how I integrated that into the digipak here!

Not much changed with the front cover, except making it from a single to an EP and changing the colors to highlight that there's more than just one song. In fact, there's 10!

I noticed that sped up and slowed down songs are currently trending on TikTok and Instagram, primarily used by teens under 21, which is the target audience of The Jack Project. I feel like including those would increase the amount of success that Flower would get.
I added individual track stems as a thank you gift for buying a physical copy. Digital copies often don't make as much money as a physical one does, so this provides a little incentive to purchase Flower + Friends on CD. This will be printed as a 2.5x2.5 inch insert.
This is going to be a poster about 25 x 25 inches insert folded to be 3.125 x 3.125 inches. Perfect to hang up! It shows that Jack doesn't take himself too seriously, and shows the playfulness aspect that a lot of indie musicians portray.


Thursday, April 4, 2024

Editing! (Day 3)

 Today I want to get around to finishing about halfway through the video, so around a minute and 20 seconds. Also, I decided to make the ending just a little more concise, by reducing the time of the fadeout by around 17ish seconds.

I had this really cool idea for the credits scene where its audio of a blooper where Jack tries to "rizz up his babygirl". That was his words, not mine, don't ask. I think having a blooper would work because the target audience of young adults 16-21 would find this funny and would understand what "rizz" means.

I started by selecting this...interesting blooper.

Next, I had to make a little title card. I modified the front cover from my digipak and made this. They're two seperate images because I want to modify them differently.





I did some fancy keyframe shenanigans (making the star spin, and the text almost breathe). I decided to use the font for the back cover, Magz, as the credits font. It came out like this!


I managed to get through a minute and 40 seconds. Not bad progress for today.

Wednesday, April 3, 2024

Editing! (Day 2)

 Time to get back to editing!

The first thing I tried to do today was export the Davinci Resolve project to my computer, but I had issues with syncing the individual video files, so I'm stuck with editing on my laptop. It's not that big of a deal, but it would be a bit faster with processing the clips and prerendering them, saving me a little bit of time. Anyways...

I'm trying to line up most of the shots to the audio. There were some shots that this wasn't possible for a long time, because I didn't have Jack play to the song, so those had to be put in the "if nothing else...then this" folder. But I had Jack listen to the song with one Airpod in, so he could time himself to the beat of Flower, so it was pretty easy to line up the shots. Even more easier considering those multicam clips I made on the last day I was editing. There's a really good benefit to having Jack be synced to the audio. I can select a section from a clip that has a really good angle at the end of the song, and use that shot in the beginning. 

Live update chat! School is cancelled tomorrow because of some water issues, so I have more time to edit! Yippie! Back to scheduled programing now...

My big goal is to have each shot be quick, nothing longer than 5ish seconds unless if it has some movement/effect. This makes the music video more energetic, which is needed to keep the audience's attention because performance videos can get stale quick.

I implemented the editing technique from my Visual Nuggets blog post (woah! another callback!?). I actually slowed down one clip so the effect would slowly become more present over time. Check it out!





Tuesday, April 2, 2024

Group Meeting Part 2: Electric Boogaloo

 Today in class, we had our final group meetings. My group told me that for my digipak, the back was kind of hard to read with the white outline. They told me to change it to yellow or blue to improve the legibility of the text on the trees and bushes. So I changed it!

I also helped some other people with their digital components. I helped improve Maria's postcard by making it a little more easy to read by changing the purple text to be lighter.

And group selfie with 0.5 zoom!


Sunday, March 31, 2024

Digipak Insert: The Digital Download Code

A lot of physical albums released after 2015 often include a digital download code, like The New Abnormal by The Strokes (woah! a callback to another blog post!). So I decided to include one for Flower's CD packaging.
I initially came up with this design, but I realized that the Magz font wasn't good for legibility, so I had to change the font to IBM Plex Sans. And I added some legal shenanigans. Here is what I made:

Sadly, the website doesn't actually work. It's just there as a concept.

Wednesday, March 27, 2024

Designing the Front Cover

Hey guys, I'm currently in Miami International Airport when I started writing this, and probably in Charleston, SC when this is finished. Anyways, I was watching this video on YouTube about glitching photos with an audio program. I really like the abstract results it makes, so I'm gonna do something like that for the album cover. Maybe even the back if I'm feeling silly... 

I took some photos of my hotel! I'll narrow down which photo I wanna go with later. I like how psychedelic the carpet looks like, almost like a 13th Floor Elevator cover. And the architecture of the staircase feels out of place in a modern hotel, kinda like the Backrooms. 


It's time for an update! I'm no longer in Miami, or Charelston, but Savannah, Georgia. I gave it some thought, and I decided to scratch that idea because none of the results looked good and Jack agreed with that, and all I did was distort carpet. So I'm pulling a Radiohead and doing the (kinda but not that) greatest left turn in music history by completely redesigning the front cover.

Recently I've been listening to more New Order, and I saw the album cover for Music Complete. I also saw a playlist for highlights of Van Halen on Spotify, which had this really cool stripe design. Both of these fall under the neoplasticism movement, which is an art style that reduced the amount of visual elements to reach "pure" abstraction. I imagine that this style would stand out in a CD section.



With that, I made this in Canva. I then decided to expand that and included the star from the logo into the cover, as well as the song name + artist.





My brother actually gave me a really helpful tip! Have each color on their own layer, so the other colors look like "shadows". I implemented this by having black on top, white in the middle, and blue on the bottom.

I sent this and the back cover to Jack, and he approved both of these!

Tuesday, March 26, 2024

Editing! (Day 1)

I'm currently in a hotel room in Savannah, Georgia just resting. I'm feeling a bit bored, so it's time to edit! First things first, I need to fix some audio playback issues. Whatever you do, don't ever use Bluetooth earbuds to edit. Just learned that mistake...Oh, and I also forgot to convert the 2DS footage from AVI, a format that Davinci Resolve hates, to MP4, the best format. The next thing to do is to make a multicam sequence in Resolve. Thankfully, this video shows me how to do it. There's just one issue. Instead of giving me one multicam sequence, it gave me 7. Not what I wanted, but the more the merrier...! It's actually really useful with the clips where I simultaneously recorded with my phone and my 2DS. I'll show y'all...


Look! In one of sequences, I can switch from my phone camera to my 2DS one! I can also press 1 or 2, which selects which channel shows in the actual project timeline.

I used this to help make a cool intro. It starts with a fill from the drums, which fades into the intro of the song. Here's what it looks like. It gives a slight sense of nostalgia to the music video, which ties into the brand Jack has.


Sunday, March 24, 2024

Back Cover for the Digipack

Today I asked Jack if he could send me any "aesthetic" photos. He sent me a couple, like:




But the one that caught my attention was this:
Sigma grindset face. Turns out, it was gonna be the album cover for another of his songs, but it was never released. So I can use it! I used the same font as my social media (to keep it consistent) and included track listing, producer and songwriting credits! 
I noticed that singles released today often have different versions (like a sped up or instrumental version), so I added an extended remix and a demo. 

Thursday, March 21, 2024

About the costuming...

    Yea... so we had originally agreed on that type of costuming. I thought it looked good in practice. But in theory, it looks weird. It just felt inauthentic to Jack and his brand. So I just told him to wear something casual that he would wear to school. 

I think this came out well! Sure, it is simple, but it isn't supposed to be the most wacky costuming. The simplicity reminds me of the costuming Dayglow has.


Ignore that Dayglow is wearing a shirt, while Jack is wearing a hoodie. When it's simple, it can be worn in a lot of places.

Tuesday, March 19, 2024

Filming!

 Today I'll be filming at Jack's house! I brought over some gear including:

The forbidden tripod! Janky-ness returns again for A level! I didn't use it too much, as most of my shots were handheld and had camera motion.

For filming, I used my Google Pixel 8 phone as my camera. I've heard that Pixel phones have some of the best cameras in a phone, so I decided to use this. Plus, I don't have a DSLR camera or anything fancy, so this will do.

I also used a weird piece of tech for a camera: my old Nintendo 2DS. One of my friends was joking about how I should use it because it would be vintage. I thought that actually would work with this music video, as it can tie into the nostalgic brand that many indie musicians, like Dayglow have. And the change of camera quality should keep the viewer hooked. 

My laptop was also there, with it having the shotlist and being able to playback Flower. Playing it will allow Jack to perform in time with the song so it will be easy for me to sync in post production.

The actual process of filming went smoothly! It took around 2 hours to get all of the shots, and then some. Jack helped give me some other ideas of shots, including a shot of a flower being dropped on the floor. Subtilty isn't our forte, but guitars are! We took some blooper shots, like this. The bloopers can be posted on my social media page for promotion.